Blue Ridge: Close

Beyond time to plant corn, according to oak leaves larger than mouse ears.

The second week of April in the Blue Ridge mountains in this wild year of Winter-straight-to-Summer, buds responded to the 40's to 90's weather by exploding. I walked through woods in their last gasp of long visibility, canopy emerging.

And flowers, too. Roadside redbuds blossoming ahead of their understory kin. Other flowers I do not know on branches above the fading daffodils strewn in the woods.

Meanwhile, the less glamorous trees flicked a fleeting beauty, befire getting on with their biomassing.

 And their Virginia creeping.

Meanwhile, in civilized clearings of the foothills, imported Asian magnolias danced, tossing off petals into the heated air.

Flowers and leaves battled it out to adorn the water color sky.

The tulip poplar began it's year of display.

A grave-side hawthorn stood guard, stark against the sky in these days before flower and foliage soften its profile.

The orchard trees beckoned bees.

And ornamentals let it be.

Belle blossoms pealed.

Buckeye foliage unfurled.

And sumacs shouldered their way in.

Bird, Watching

I've been in the Eastern US for the past couple of weeks, spending some time in woods just waking up from Winter. Just about a year and 3,000 miles from the Watercolor Spring post, these woods have a similar open grey lattice, dappled lightly with the colors of emerging leaves, but here there are so few evergreens that you can see much farther. 

In the forests and orchards, birds abound now, and I could not help but watch them. Long ago, I worked for a local Audubon Society, running a small bookstore and learning about birds as I went. I never became a Birder, that species of naturalist obsessed with amassing the longest "life list" of species observed, often as not, through massive and expensive scopes. Yes, I've seen some cool birds in remote and exotic locales, but mostly because I was working there, not because I'd planned a trip to see the birds. If the bird is pretty, or doing something interesting, it doesn't really matter to me whether it is rare; what it eats or is eaten by--how it fits into it's ancient or adopted ecology--ends up being just as important as whether it qualifies as a rara avis.

So, this one was worth watching. It's a thrasher (a species that sticks in my memory because of it's punk-sounding name and it's virtuoso voice), neither rare nor far afield. I sat in an orchard on the Blue Ridge, appreciating the blossoms when it's rusty back came into view. Unlike most birds, who know to dart away or duck behind a branch as soon as the camera comes out, it just sat there while I took a shot, and another, moved around to get a better view, and even when I stepped closer. For about 15 minutes, this continued, and it was aware of me, but not inclined to take flight. It was watching me as much as I was watching it.

Later on, wandering through the woods, I came upon a family of crows, also wandering through the woods, pecking through last Fall's leaves. Through long experience with jealous farmers and rock-wielding boys, they made sure one was always watching me, and kept their distance. No unobstructed posing, no sitting still while I got closer. But also, no stopping what their foraging sweep through a Virginian forest floor. Like the guard pictured above, they were hitting the ground hard enough to poke through the leaves and into the red piedmont clay. Like the sentinel pictured above, they kept their beaks open, but said nothing; maybe they were cocked and ready to snap up bugs, maybe they were panting away the heat. 

My limited bird brain cannot say for sure what the thrasher or the crows were doing. All I know is that they watched me watch them.

Watercolor Spring

Excuse me, while I brush the sky

Seasons echo themselves. Not just from one year to the next, but deep in the -ness. Spring unfurls, hurls echoes of itself as the blooming of flowers, of leaves and  fronds, of eggs bearing Spring chickens and flower-scented air spurring mating season. At the fat fractal base, a reaching of life out onto the huddled greyscape of a temperate Winter.  Spring is Open(ing) Season.


As such, psychedaelians appreciate it, perhaps none more than here in the Northwest, where sunshine daydreamy days induce long blissful sighs from fabulous fuzzy mammals pleased to be free of wintry darkness and the dankness of wet season. Last week, I heard an echo of this on Grateful Dead & Friends, a show on KBOO radio.


Often as not, peoples' minds bend toward California when they think of hippies, and the Dead are at the Bay Area epicenter of this perceptual vortex . No arguing that. But furthur north than Northern California, in the Oregon of Kesey and the Washington of Hendrix, psychedaelia blossoms as well. 


Especially in Spring, to echo myself. From the southernmost tip of Washington, I drove up out of the Columbia valley with a Help-Slipknot-Franklin's prechoing out of the speakers. [That hyphenated thing is Deadhead shorthand for a three-song medley, in case you've not conversed with this tribe. Deadheads are also into encyclopaedic knowledge of their priestly class and lore, as evidenced this day in the DJ's question--the answerer of which would score tickets to a Furthur (ie, post Garcia) concert!--which was "What's unique about this Help-Slip-Franklin's?" I think the answer was that whatever show he was playing was the first time the Dead had played that particular combination, although the guy was open to there being other answers, 'cause competitive encyclopaedism doesn't have to devolve into fascism, man. But I digress.]


So as it slips into the middle of the medley, I settle into interstate pace on my instrastate drive, and the landscape flows by. Against the dark evergreen background, maples and alders and cottonwoods have appeared into the scene, watercolor reds yellows greens and in-betweens where a couple months before they'd been retreated into grey invisibility. Leaves and sheathes may not fit the saturated vivids we associate with the psychedaelic pallete, but ephemerality and life force are not to be dismissed as color flavorings. Splashed here and there on this quiet tableau, occasionally inexplicable daffodil patches and explosions of cherry blossoms make sure all is not subtle. Meanwhile, sunbeams and liquid clouds dance and share the sky, and the white stripes underfly my red Ford hood. 

By now, they're into Franklin's Tower, the last song. "Roll away the dew" refrains again and again on the recording, and you can hear the crowd. If you are experienced, your body feels the memory of that moment when unison converged on these few words of hope and emergence. Being peripheral to deadheadery at the time I heard this chorus in concert (if I even heard it at all, this  could be false memory talking), I think  I thought the words were "Roll away the doom," which works as an echo for sound and meaning, I guess. Better, even, if you like your watercolor with  some morning dew.